Projektkategorie: PR & strategy

Palaz­zet­to Bru Zane-EN

The Palaz­zet­to Bru Zane — Cent­re de musi­que roman­tique fran­çai­se explo­res the music of the French Roman­tic peri­od. Sin­ce its foun­da­ti­on in 2009, it has signi­fi­cant­ly expan­ded the reper­toire of this eventful peri­od in the 19^th cen­tu­ry. Ophe­lia’s Cul­tu­re PR has been loo­king after the Palaz­zet­to Bru Zane Foun­da­ti­on in Ger­man-spea­king count­ries sin­ce 2012.

Basel Sin­fo­ni­et­ta

The Basel Sin­fo­ni­et­ta is a sym­pho­nic orches­tra spe­cia­li­sing in con­tem­po­ra­ry music. In its six sub­scrip­ti­on con­certs, the Basel Sin­fo­ni­et­ta pres­ents inno­va­ti­ve pro­gram­mes for Basel and the regi­on. As Ophe­li­as Cul­tu­re PR, we have been respon­si­ble for all are­as of public rela­ti­ons and pre­sen­ta­ti­on of the Basel Sin­fo­ni­et­ta sin­ce 2022. The aim of our work is to com­mu­ni­ca­te with the local audi­ence and increase public awa­re­ness — also inter­na­tio­nal­ly.

Basel Com­po­si­ti­on Com­pe­ti­ti­on-EN

Basel Com­po­si­ti­on Com­pe­ti­ti­on (BCC) is an inter­na­tio­nal com­po­si­ti­on com­pe­ti­ti­on that takes place every two years in col­la­bo­ra­ti­on with Paul Sacher Foun­da­ti­on in Basel, awar­ding works for cham­ber and sym­pho­ny orches­tra. From Janu­ary 30 to Febru­ary 2, 2025, fifth edi­ti­on was held, as in pre­vious years, under the direc­tion of jury pre­si­dent Micha­el Jar­rell.

Basel Sin­fo­ni­et­ta-EN

Basel Sin­fo­ni­et­ta is a sym­pho­nic orches­tra spe­cia­li­zing in con­tem­po­ra­ry music – making it a uni­que ensem­ble world­wi­de. Dri­ven by the goal of per­forming music that is in tune with the times, Basel Sin­fo­ni­et­ta has been brea­king clas­si­cal con­cert con­ven­ti­ons sin­ce its foun­ding in 1980, explo­ring various gen­res and cul­tures in its pro­grams. The Basel-based ensem­ble col­la­bo­ra­tes with lea­ding com­po­sers of today. Num­e­rous works have been com­mis­sio­ned, and sin­ce its foun­ding, more than 240 world pre­mie­res and many Swiss pre­mie­res have been pre­sen­ted.

Bru­no de Sá-EN

With his extra­or­di­na­ry voice and bold artis­tic approach, Bra­zi­li­an coun­ter­te­nor Bru­no de Sá is set­ting new stan­dards on inter­na­tio­nal ope­ra stages. He gai­ned inter­na­tio­nal reco­gni­ti­on with his acclai­med War­ner recor­ding Roma Tra­ves­t­i­ta (2022), fol­lo­wed by Mil­le affet­ti (2024).

Con­cer­to Copen­ha­gen-EN

For over thir­ty years, Con­cer­to Copen­ha­gen (CoCo) has been on a musi­cal jour­ney of dis­co­very. Roo­ted in the Ear­ly Music sce­ne, the Copen­ha­gen-based orches­tra con­ti­nuous­ly expands its reper­toire. Descri­bed as an “ensem­ble for tid­løs musik” it is not only a mas­ter of Baro­que music but is also at home in the Vien­na Clas­si­cal, Roman­tic, and con­tem­po­ra­ry music reper­toires.

Inns­bru­cker Fest­wo­chen der Alten Musik-EN

In 2026, the Inns­bruck Ear­ly Music Fes­ti­val will cele­bra­te its 50^th anni­ver­sa­ry — an anni­ver­sa­ry that impres­si­ve­ly under­lines its pio­nee­ring role in the field of his­to­ri­cal per­for­mance prac­ti­ce. Sin­ce its foun­da­ti­on in 1976, the Fes­ti­val Weeks have deve­lo­ped into one of the worl­d’s most important fes­ti­vals for ear­ly music, pro­mo­ting the care­ers of num­e­rous artists in the pro­cess.