With his extraordin­ary voice and bold artist­ic approach, Brazili­an coun­terten­or Bruno de Sá is set­ting new stand­ards on inter­na­tion­al opera stages. He gained inter­na­tion­al recog­ni­tion with his acclaimed Warner record­ing Roma Trav­estita (2022), fol­lowed by Mille affetti (2024). He is a reg­u­lar guest at the Bayreuth Baroque Opera Fest­iv­al, where he has cel­eb­rated great suc­cesses in Nic­ola Ant­o­nio Por­por­a’s Carlo il Calvo (2020, 2021) and as Cleofide in Leonardo Vin­ci’s Aless­andro nell’Indie (2022). In 2020, he was named Best Young Artist by the magazine Oper!.

Bruno de Sá’s impress­ive vocal range sig­ni­fic­antly expands the rep­er­toire of roles suited to him. “My goal is to sing the most demand­ing female roles – not only in Baroque but also in the 19^th-cen­tury rep­er­toire,” he says. “Opera is an expres­sion of human emo­tions, and emo­tions have no gender.” The South Amer­ic­an ten­or will be fea­tured in a spe­cial role at the Komis­che Oper Ber­lin: Don Elviro (Donna Elvira) in the new pro­duc­tion of Don Giovanni/Requiem with music by Wolfgang Amadeus Moz­art. With this work, Kir­ill Serebren­nikov com­pletes his Moz­art-Da-Ponte cycle at the ven­ue.

Opheli­as Cul­ture PR sup­ports Bruno de Sá through artist PR, which includes tra­di­tion­al press work related to his engage­ments and con­certs, as well as stra­tegic con­sult­ing.