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Jörg Halu­bek

Jörg Halu­bek has long made a name for him­self as a con­duct­or, organ­ist, and maes­tro al cem­balo. With his ensemble, foun­ded in 2008, The Baroque Taste The spe­cial­ist in early music is a reg­u­lar guest at renowned fest­ivals in Ger­man-speak­ing coun­tries and organ­ises the „Stut­tgart Series“. A primary focus of his work is the redis­cov­ery of for­got­ten oper­as and rarely per­formed works. For example, he has [trans­lated text cut off here]. Adonis, Telemann’s Han­del arrange­ment Cleofida and Johann Dav­id Hein­ichen Fla­vio Crispo newly dis­covered and presen­ted it with his ensemble as a world premiere record­ing on CD with cpo. With the redis­cov­ery of Johann Chris­ti­an Bach’s Love con­quers all He is per­form­ing for the first time at the Schwet­zin­gen SWR Fest­iv­al in 2025, togeth­er with il Gusto Barocco.

As an opera con­duct­or, Jörg Halu­bek has been invited to, among oth­ers, the Stut­tgart State Opera, the Staat­stheat­er Kas­sel, the Nation­al Theatre Man­nheim, and the Komis­che Oper Ber­lin. Most recently, he con­duc­ted Baroque oper­as at the Lucerne and Basel Theatres, here togeth­er with the La Cetra Baroque Orches­tra. In Lucerne, the ver­sat­ile artist is enga­ging for the first time with the pro­duc­tion Requiem for a Pris­on­er with a 20th-cen­tury opera by Dal­lap­ic­cola The pris­on­er, apart.

Anoth­er pas­sion pro­ject of the renowned pro­fess­or of organ and his­tor­ic­al key­board instru­ments at the Stut­tgart Uni­ver­sity of Music is the Organ Land­scapes – a large-scale pro­ject that explores Johann Sebasti­an Bach’s organ land­scape with his works on his­tor­ic­al organs.

Opheli­as Cul­ture PR has been sup­port­ing Jörg Halu­bek since 2019. Part of the col­lab­or­a­tion includes clas­sic artist PR as a con­duct­or and organ­ist, press work for his albums, the „Stut­tgarter Reihe“ with his ensemble, and his guest engage­ments as an opera con­duct­or. From the out­set, we have been advising Jörg Halu­bek on brand­ing and long-term stra­tegic decisions.

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