With his excep­tion­al voice and bold artist­ic approach, Brazili­an sop­rano Bruno de Sá is set­ting new stand­ards on inter­na­tion­al opera stages. He gained inter­na­tion­al atten­tion with his acclaimed Warner record­ing Dis­guised Rome (2022), fol­lowed by A thou­sand affec­tions (2024). He is a reg­u­lar guest at the Bayreuth Baroque Opera Fest­iv­al, where he appears in Nic­ola Ant­o­nio Porpora’s Charles the Bald (2020, 2021) and as Cleofide in Leonardo Vinci’s Aless­andro in India (2022) was a great suc­cess. In 2020, he was named by the trade journ­al Play! awar­ded as best new artist.

Bruno de Sás’s impress­ive vocal range sig­ni­fic­antly broadens the spec­trum of roles suit­able for him. „My goal is to sing the most demand­ing female roles – not just in Baroque, but also in 19^th-cen­tury rep­er­toire,“ he says. „Opera is an expres­sion of human emo­tions, and emo­tions have no gender.“ At the Komis­che Oper Ber­lin, the excep­tion­al South Amer­ic­an sing­er will be exper­i­enced in a very spe­cial role: Don Elviro (Donna Elvira) in the new pro­duc­tion Don Giovanni/Requiem with the music of Wolfgang Amadeus Moz­art. With this work, Kir­ill Serebren­nikov com­pletes his Moz­art-Da Ponte cycle at the theatre.

Ophelia’s Cul­ture PR sup­ports Bruno de Sá with artist PR. This includes clas­sic press work for his engage­ments and con­certs, as well as stra­tegic con­sult­ing.